In Service to Joy
Created after I said goodbye to my fifth foster child, I realized I had to live in service to joy, not in service to my grief. The rainbow in this image was hand painted by me with watercolors and added later to create a dripping, almost dystopian effect.
This artwork is created with the highest quality materials, including:
Paper: Breathing Color Elegance Velvet Cotton Rag
Weight: 300GSM
Color: Bright White
Archival Certified for 100+ years
Each print is artist proofed, signed, and numbered by the artist.
Small: 10x10 inches, Edition of 15
Medium: 20x20 inches, Edition of 10
Large: 40x40 inches, Edition of 5
Created after I said goodbye to my fifth foster child, I realized I had to live in service to joy, not in service to my grief. The rainbow in this image was hand painted by me with watercolors and added later to create a dripping, almost dystopian effect.
This artwork is created with the highest quality materials, including:
Paper: Breathing Color Elegance Velvet Cotton Rag
Weight: 300GSM
Color: Bright White
Archival Certified for 100+ years
Each print is artist proofed, signed, and numbered by the artist.
Small: 10x10 inches, Edition of 15
Medium: 20x20 inches, Edition of 10
Large: 40x40 inches, Edition of 5
Created after I said goodbye to my fifth foster child, I realized I had to live in service to joy, not in service to my grief. The rainbow in this image was hand painted by me with watercolors and added later to create a dripping, almost dystopian effect.
This artwork is created with the highest quality materials, including:
Paper: Breathing Color Elegance Velvet Cotton Rag
Weight: 300GSM
Color: Bright White
Archival Certified for 100+ years
Each print is artist proofed, signed, and numbered by the artist.
Small: 10x10 inches, Edition of 15
Medium: 20x20 inches, Edition of 10
Large: 40x40 inches, Edition of 5
Care Instructions for Your Collected Work:
Handle your print with gloves carefully by the edges and use two hands to support.
Do not touch the print surface with your fingers or hands, as this could scratch the surface, and oils from your skin can damage the print.
Only acid-free, archival materials should come in contact with the front/back of the print.
Framing under glass or acrylic provides the greatest protection against fading from UV light and ozone. Non reflective glass is recommended.
Avoid hanging or storing your print in direct or extremely bright indirect sunlight.
Avoid excessive temperature and humidity extremes.
